FIELD EDITION 02Colour in Bloom
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Let one detail come forward.Tap Focus detail, then move the observation card.
FIELD EDITION 02
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Colour laid over a woven ground.
Colour-printed cotton deserves its own reading shelf. Peonies, lotus ponds, birds, butterflies and garden compositions move across woven grounds whose yarn and texture remain visible beneath the print.
What belongs to the cloth, and what was added to its surface?
Start the first chapter →
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Printed colour over woven cloth
织底与印花The ground cloth and the printed image can be read as two connected but separate surfaces.
Printed colour over woven cloth
01 / 01
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Peony gardens
牡丹Peony moves between bouquets, garden fields and mixed floral compositions.
Peony
牡丹Prosperity, abundance, beauty and flourishing life.
Name source not yet documentedOpen the research context ↗
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Lotus & pond compositions
莲与荷塘The named lotus motif expands into a broader pond composition when leaves, buds and waterside plants enter the field.
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Lotus
莲 · 荷Purity, harmony and family wellbeing in the current Atlas interpretation.
Name source not yet documentedOpen the pattern context ↗
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Lotus Pond
荷塘The named lotus motif expands into a broader pond composition when leaves, buds and waterside plants enter the field.
Collector / descriptive nameOpen the pattern context ↗
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A name is a layer of evidence.
Visual resemblance, local usage, published terminology and an Atlas working name are not interchangeable.
Turn the page for the next chapter.
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Bird & Flower
花鸟Bird-and-flower is treated as a pictorial family rather than one fixed symbolic unit.
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Bird & Flower
花鸟Bird-and-flower is treated as a pictorial family rather than one fixed symbolic unit.
Name source not yet documentedOpen the pattern context ↗
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Butterfly & Peacock
蝶与孔雀Two clearly named pictorial motifs show how animal imagery changes with colour and layout.
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Butterfly
蝴蝶Two clearly named pictorial motifs show how animal imagery changes with colour and layout.
Name source not yet documentedOpen the pattern context ↗Peacock
孔雀Two clearly named pictorial motifs show how animal imagery changes with colour and layout.
Name source not yet documentedOpen the research context ↗
Photo unavailable · the catalogue record remains accessible below.
A name is a layer of evidence.
Visual resemblance, local usage, published terminology and an Atlas working name are not interchangeable.
Turn the page for the next chapter.
Photo unavailable · the catalogue record remains accessible below.
Colour registration & workshop variation
套色与变化Small shifts in colour and alignment are recorded as observations, not automatic proof of a particular workshop method.
Colour registration & workshop variation
01 / 01
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Across the current collection
馆藏对照Current non-indigo printed records are gathered here without collapsing their printing techniques.
Across the current collection
01 / 02
TA-CN-0003Late Qing Butterfly & Flower Summer ClothChina · Approx. 148 × 43 cm total continuous cloth; approx. 106 × 43 cm usable section and approx. 42 cm damaged section
TA-NT-0011Old Pond Lotus — Nantong Printed Homespun CottonNantong · Approx. 246 × 45 cm total available length
TA-JN-0002Sunrise Peony — Jiangnan Multicolour Printed HomespunJiangnan · Approx. 232 × 44 cm total available length
TA-NC-0001Blue Garden Song — North China Bird-and-Flower Printed HomespunNorth China · Approx. 202 × 44 cm total available length
TA-NT-0013Crimson Peony Garden — Nantong Hand-Printed HomespunNantong · Two separate matching pieces, each approx. 92.5 × 44 cmAcross the current collection
02 / 02
TA-NT-0017Auspicious Bloom — Nantong Multicolour Printed HomespunNantong · Approx. 320 × 50 cm recorded total; sold in 50 cm units
TA-NT-0018Peony Lattice — Nantong Blue Peony PrintNantong · Approx. 1090 × 46 cm recorded total; sold in 50 cm units
TA-NT-0025Chrysanthemum and Butterfly BedsheetNantong · Approx. 195 × 130 cm; three joined narrow panels
Photo unavailable · the catalogue record remains accessible below.
A name is a layer of evidence.
Visual resemblance, local usage, published terminology and an Atlas working name are not interchangeable.
Turn the page for the next chapter.
Field notes & catalogue basis
What belongs to the cloth, and what was added to its surface?
Colour-printed cotton deserves its own reading shelf. Peonies, lotus ponds, birds, butterflies and garden compositions move across woven grounds whose yarn and texture remain visible beneath the print.
Hand printing, multicolour folk printing and broader decorative printing remain distinct object-level labels. Colour alone is not used to infer one printing tool.
This v3 book is an editorial research route. Object-level technique, dating and provenance remain on each textile record; pattern-name provenance is stored separately in the Pattern Catalog.