FIELD EDITION 01Blue & White
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FIELD EDITION 01
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Resist, negative space and the blue-white field.
Begin with old blue-and-white resist cloth. Flowers, creatures, borders and household blessings are created on a woven ground through resist and dye. Read the printed surface without losing sight of the cloth beneath it.
How does resist turn protected cloth into image?
Start the first chapter →
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How the blue-white field is made
蓝白之间Resist creates image by protecting parts of the cloth before dyeing. The woven ground and the later surface design remain separate evidence layers.
How the blue-white field is made
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Narrative blessings
人物与吉祥Figural and paired motifs turn household cloth into a field of narrative wishes.
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Qilin Bringing a Child
麒麟送子Figural and paired motifs turn household cloth into a field of narrative wishes.
Documented folk nameOpen the pattern context ↗
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Vase
宝瓶Figural and paired motifs turn household cloth into a field of narrative wishes.
Name source not yet documentedOpen the pattern context ↗
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Dragon
龙Figural and paired motifs turn household cloth into a field of narrative wishes.
Name source not yet documentedOpen the pattern context ↗
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Phoenix
凤凰Figural and paired motifs turn household cloth into a field of narrative wishes.
Name source not yet documentedOpen the pattern context ↗
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A name is a layer of evidence.
Visual resemblance, local usage, published terminology and an Atlas working name are not interchangeable.
Turn the page for the next chapter.
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Flowers through the seasons
花卉Named flowers can be compared without treating every floral grouping as one historical program.
“Four Seasons” remains an Atlas/editorial label where used; it is not promoted here as a documented folk name.
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Chrysanthemum
菊花Longevity, quiet independence and inward contentment in the current Atlas interpretation.
Name source not yet documentedOpen the pattern context ↗
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Lotus
莲 · 荷Purity, harmony and family wellbeing in the current Atlas interpretation.
Name source not yet documentedOpen the pattern context ↗
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Peony
牡丹Prosperity, abundance, beauty and flourishing life.
Name source not yet documentedOpen the pattern context ↗
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Plum Blossom
梅花纹Named flowers can be compared without treating every floral grouping as one historical program.
Documented published nameOpen the pattern context ↗
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A name is a layer of evidence.
Visual resemblance, local usage, published terminology and an Atlas working name are not interchangeable.
Turn the page for the next chapter.
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Animals & auspicious objects
瑞兽与器物Butterfly, gourd and phoenix motifs sit beside larger narrative compositions.
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Butterfly
蝴蝶Butterfly, gourd and phoenix motifs sit beside larger narrative compositions.
Name source not yet documentedOpen the pattern context ↗
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Gourd
葫芦Butterfly, gourd and phoenix motifs sit beside larger narrative compositions.
Name source not yet documentedOpen the pattern context ↗
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Phoenix
凤凰Butterfly, gourd and phoenix motifs sit beside larger narrative compositions.
Name source not yet documentedOpen the pattern context ↗
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Geometry & framing
格纹与边饰Lattice, medallion and scrolling families organise the blue-white field without requiring a symbolic meaning for every border device.
Diamond Lattice
Lattice, medallion and scrolling families organise the blue-white field without requiring a symbolic meaning for every border device.
Collector / descriptive nameOpen the research context ↗
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Dotted Diamond Lattice
Lattice, medallion and scrolling families organise the blue-white field without requiring a symbolic meaning for every border device.
Collector / descriptive nameOpen the pattern context ↗
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Floral Medallion
Lattice, medallion and scrolling families organise the blue-white field without requiring a symbolic meaning for every border device.
Collector / descriptive nameOpen the pattern context ↗
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Scrolling Vines
Lattice, medallion and scrolling families organise the blue-white field without requiring a symbolic meaning for every border device.
Collector / descriptive nameOpen the pattern context ↗
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Scrolling Flowers
Lattice, medallion and scrolling families organise the blue-white field without requiring a symbolic meaning for every border device.
Collector / descriptive nameOpen the pattern context ↗
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Across the current collection
馆藏对照All current indigo-resist records remain visible as object evidence.
Across the current collection
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TA-NT-0021Qilin Bringing a Child — Nantong Indigo TextileNantong · Approx. 119 × 43 cm / 46.9 × 16.9 in
TA-NT-0006Four Seasons Flowers — Nantong Indigo Quilt CoverNantong · Approx. 180 × 117 cm
TA-NT-0007Dragon & Phoenix — Nantong Indigo Resist-Printed PanelNantong · Approx. 226 × 39 cm
TA-CN-0008Indigo Phoenix Garden — Blue Resist-Printed CottonChina · Approx. 210 × 82 cm
TA-NT-0009Chrysanthemum Border — Nantong Indigo PanelNantong · Approx. 157 × 41 cmAcross the current collection
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A name is a layer of evidence.
Visual resemblance, local usage, published terminology and an Atlas working name are not interchangeable.
Turn the page for the next chapter.
Field notes & catalogue basis
How does resist turn protected cloth into image?
Begin with old blue-and-white resist cloth. Flowers, creatures, borders and household blessings are created on a woven ground through resist and dye. Read the printed surface without losing sight of the cloth beneath it.
Object records remain the authority for technique and dating. Pattern names are layered through the v3 catalog so a documented name, a collecting name and an Atlas description cannot be confused.
This v3 book is an editorial research route. Object-level technique, dating and provenance remain on each textile record; pattern-name provenance is stored separately in the Pattern Catalog.
